Paulina Wandowicz

Institute of Archaeology, UCL
UBEL Pathway: Archaeology and Heritage Studies
Supervisor: Dr Claudia Näser and Prof David Wengrow
Contact details: paulina.wandowicz.20@ucl.ac.uk
About Me

I hold a Graduate Diploma in Archaeology and an MA in Archaeology and Heritage of Egypt and the Middle East, both from UCL. Throughout my studies, I have been interested in materiality of religion and how ritual practices change and relate to power structures and social dynamics. My research interests also include ceramics, ancient technology, experimental archaeology, and materiality of writing. In a previous life, I completed a Geology degree and had a career in financial services.

 

Outside of my studies, I am the Treasurer of the Friends of the Petrie Museum, a charity which supports the Petrie Museum Collection and Archive in conservation, education, and research. I have a cat who sometimes helps with my research, and enjoy pottery and photography.

@Paulina_Wandow

My Research

My doctoral project investigates changes in ritual practices and their relation to power structures and social dynamics in second millennium BCE Egypt. My aim is to develop a novel theoretical methodology for approaching societal changes in the material record centred on practice and transmission, which will allow for a ‘bottom-up’ understanding of ways in which privileged groups used ritual practice as a tool of power to manipulate or control. In my research, I seek to draw from a range of disciplines encompassing anthropology and sociology of religion, material philology, and psychological mechanisms by which rituals promote social cohesion.

 

I focus on the ritualised breaking, burning, and burying of objects in Tell el-Amarna and Deir el-Medina. Those two sites straddle key socio-political changes in the period: disruption of established social hierarchies and changes in expressions of ‘piety’. This makes them ideal case studies for my research because structures of power and their tenuousness are particularly apparent in moments of change.

I will also contextualise the material evidence for the subject practices in deeper and broader comparative perspectives, tracing them back to earlier periods and placing them within emerging research in archaeology in which the vast Egyptological dataset has been absent due to disciplinary boundaries. The expanded understanding of these practices will enable drawing more general conclusions on conceptions of ritual activities and analysing the relevance of ritual practice in negotiation of power. It will also enable reconsidering the concept of ‘piety’ and its relation to religious display through the lens of ritual practice.

Impact of My Research

I am committed to interdisciplinary research and aim to bring the rich material studied in this project out from isolation within Egyptology and into the emerging archaeological and wider social sciences dialogue on current themes, such as materiality, social

capital, and exclusion. One such area of potential wider impact which I plan to explore is how rituals and ritualised behaviours, including social cues and specific behaviours, can create and perpetuate social structures and lead to unconscious biases. This doctoral research can serve as a springboard to further discussions on and understanding of how such forms of social capital function as mechanisms of social cohesion, necessary to address current issues of class, inequality, and unconscious bias.

 

However, I have always aimed for my research to be relevant outside academia too, and I am working with one of the museums in London on an exhibition and outreach events relating to my work and its wider impact. Museums are one of the key mediums of disseminating archaeological research, allowing current research to be well represented for non-academic audiences. However, narratives built around the collections often centre on stereotyped and elitist views of the past, or on ‘spectacular’ star objects, and everyday objects are overlooked – let alone broken and damaged ones. By working with the museum, I will challenge how museums present objects and what narratives they create. I will advocate moving towards practice-focused, diverse view of the past, where everyday objects are used to tell relatable and relevant stories.