Jenna Brown

Department, Institution: Culture, Communication and Media, UCL
UBEL Pathway: Education
Supervisor: Graham Welch
Contact details: Jenna.brown.23@ucl.ac.uk
Social Media: Instagram – @bristolvoicecare / Facebook – Bristol Voice Care
Website: bristolvoicecare.co.uk
About Me

Jenna Brown is a UK based practitioner-researcher in Music Education, specialising in vocal pedagogy and vocal health research. She is a fellow of the RSA and a qualified voice rehabilitation specialist and vocal massage therapist and runs Bristol Voice Care, providing rehabilitation and coaching for professional and amateur individuals and groups. She is an editorial board member for The Voice and Speech Review, a tutor-mentor on the MA/PGCert Voice Teaching with ESTA Education and the University of Chichester, and a tutor and assessor for Vocal Health Education’s Certificate of Teaching Inclusively. 

Jenna trained as a classical mezzo-soprano and voice teacher and continues to manage a busy international work portfolio. As well as performance and vocal health practice, she is currently Assistant Conductor at Bristol Youth Choir and Exultate Singers. She is a qualified classroom teacher, with experience teaching Humanities and Music in Primary, Secondary, Post-16 and Special Education. She has been a professional tutor on teacher training programmes for students at Bristol University, Bath Spa University, The University of the West of England, and The Open University. She continues to be an advocate and trainer for SEND and inclusive teaching practices and leads the Vocal Health Education Certificate of Teaching Inclusively.

Jenna has recent publications on voice and choral pedagogy in the Journal of Voice, The Voice and Speech Review, Journal of Popular Music Education and Australian Voice. She is also a writer for Music Teacher Magazine, where she writes resources on singing in schools. She has presented her research at numerous international conferences and is regularly engaged as a speaker and workshop leader for educational and corporate organisations. In 20204 she was awarded best speaker at the Pan European Vocal Conference in Santander.  

My Research

My research centres on exploring the use of mental imagery in voice pedagogy, with a particular focus on singing learning and teaching. Traditionally, imagery in singing teaching has been based in the master-apprentice tradition and has involved the use of stock metaphors and standardised gestures in both 1:1 and choral settings. Recent research has shown that whilst some singers and teachers report these strategies as being useful, many more highlight the potential for misunderstanding, miscommunication and the development of less effective and inefficient voicing strategies. Some go further and suggest that the uncritical use of traditional Bel Canto imagery can lead to vocal dysfunction and injury. Advances in understanding of student-centred teaching and learning, embodied cognition and biopsychosocial approaches to voice training and rehabilitation have called into question the effectiveness of current methods. My research, therefore, investigates mental imagery from multimodal and multidisciplinary perspectives. This includes analysing contemporary understandings of imagery as a pedagogical tool for motor skill acquisition and learning artistic elements of singing from within the disciplines of philosophy, psychology, and neuroscience. The study is seeking to unite vocal science and artistry, leading to a comprehensive understanding and evaluation of the effectiveness of mental imagery as a pedagogical tool. It seeks to bridge the gap in current research by centring on the student perspective and closing the student-teacher feedback loop, of which imagery is a vital part. Empirical research will test the effectiveness of imagery as a formative feedback tool, by analysing intersectional differences in imagery schema and perceptual abilities and preferences. Application of Clean Language protocols will provide the basis of an updated multimodal and student-centred imagery strategy. Such a tool will recognise the existing schema of the learner and their innate abilities and skills which can be facilitated and developed by the teacher, to enhance the learner’s life-long skill acquisition, resource management and strategy application. 

Impact of My Research

This research will highlight areas of singing pedagogy practice, which are currently widely used and yet accepted without evidence-based critical evaluation. Centred on the student’s perspective and their perception and interpretation of imagery as a learning tool, the project seeks to frustrate traditional hierarchies within both voice and research. It will draw attention to imagery as an area in voice pedagogy where the master-apprentice tradition prevails and will explore how it might be subverted to allow for a learner focused approach, which draws on both the autonomy and self-efficacy of learners, as well as the innate embodied cognition that is a reported feature of learning to sing.  

It is intended that this project might lead to the development of a person-centred, learner-led imagery schema/protocol that can be employed across singing genres, abilities and cultural contexts. It is the first research to explore the application of Clean Language Coaching to singing teaching and to imagery as a pedagogical tool for motor skill acquisition and artistic development. It is hoped that the tool will also have the potential to be employed in voice rehabilitation contexts, and even when working with spoken voice professionals, such as actors and presenters, as both a diagnostic, intervention and teaching strategy